Bolton, his caring nurse, after Constance has left. There is also the perverse, maternal relationship that ultimately develops between Clifford and Mrs. There is Tommy Dukes, who has no relationship because he cannot find a woman whom he respects intellectually and meanwhile finds desirable. The reader sees the brutal, bullying relationship between Mellors and his wife, Bertha, who punishes him by preventing his pleasure. Lawrence explores a wide range of different types of relationships. Love and personal relationships are the threads that bind this novel together.
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In Lady Chatterley's Lover, Lawrence comes full circle to argue once again for individual regeneration, which can be found only through the relationship between man and woman (and, he asserts sometimes, man and man). That realisation stems from a heightened sexual experience that Constance has felt only with Mellors, suggesting that love can happen with only the element of the body, not just the mind. The central theme is Constance's realisation that she cannot live with the mind alone. The class difference between the couple highlights a major motif of the novel. His wife has an affair with the gamekeeper, Oliver Mellors. The story concerns a young married woman, the former Constance Reid (Lady Chatterley), whose upper-class Baronet husband, Sir Clifford Chatterley, described as a handsome, well-built man, is paralysed from the waist down because of a Great War injury. That novel, although it is about a homosexual couple, also involves a gamekeeper becoming the lover of a member of the upper classes and influenced Lady Chatterley's Lover. Forster, which was published posthumously in 1971. Lawrence allegedly read the manuscript of Maurice by E.
Lawrence, who had once considered calling the novel John Thomas and Lady Jane in reference to the male and the female sex organs, made significant alterations to the text and story in the process of its composition. According to some critics, the fling of Lady Ottoline Morrell with "Tiger", a young stonemason who came to carve plinths for her garden statues, also influenced the story. The story is said to have originated from certain events in Lawrence's own unhappy domestic life, and he took inspiration for the settings of the book from Nottinghamshire, where he grew up.